By Christopher Scott Sevier
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Marcel Duchamp is usually seen as an "artist-engineer-scientist," a type of rationalist who relied seriously at the rules of the French mathematician and thinker Henri Poincaré. but an entire portrait of Duchamp and his a number of impacts attracts a special photo. In his three general Stoppages (1913-1914), a piece that makes use of probability as an inventive medium, we see how a ways Duchamp subverted scientism in prefer of an intensive individualistic aesthetic and experimental imaginative and prescient.
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Aquinas on Beauty by Christopher Scott Sevier