By Leon Rosenstein
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Marcel Duchamp is frequently seen as an "artist-engineer-scientist," a type of rationalist who relied seriously at the principles of the French mathematician and thinker Henri Poincaré. but a whole portrait of Duchamp and his a number of affects attracts a unique photograph. In his three usual Stoppages (1913-1914), a piece that makes use of probability as a creative medium, we see how some distance Duchamp subverted scientism in prefer of an intensive individualistic aesthetic and experimental imaginative and prescient.
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Antiques: The History of an Idea by Leon Rosenstein