By Miguel Beistegui
This ebook specializes in a size of artwork which the philosophical culture (from Plato to Hegel or even Adorno) has always missed, such used to be its dedication – specific or implicit – to mimesis and the metaphysics of fact it presupposes. De Beistegui refers to this size, which unfolds outdoors the gap that stretches among the practical and the supersensible – the gap of metaphysics itself – because the hypersensible and express how the operation of artwork to which it corresponds is healthier defined as metaphorical. The move of the e-book, then, is from the classical or metaphysical aesthetics of mimesis (Part One) to the aesthetics of the hypersensible and metaphor (Part Two). opposed to a lot of the heritage of aesthetics and the metaphysical discourse on paintings, he argues that the philosophical price of artwork doesn’t consist in its skill to bridge the gap among the practical and the supersensible, or the picture and the belief, and demonstrate the practical as proto-conceptual, yet to open up a special experience of the practical. His target, then, is to shift the place and role that philosophy attributes to paintings.
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Extra resources for Aesthetics After Metaphysics: From Mimesis to Metaphor (Routledge Studies in Contemporary Philosophy)
Aesthetics After Metaphysics: From Mimesis to Metaphor (Routledge Studies in Contemporary Philosophy) by Miguel Beistegui