By Ted Nannicelli
Recently, students in a number of disciplines—including philosophy, movie and media stories, and literary studies—have develop into attracted to the aesthetics, definition, and ontology of the screenplay. To this finish, this quantity addresses the basic philosophical questions on the character of the screenplay: what's a screenplay? Is the screenplay art—more particularly, literature? what sort of something is a screenplay? Nannicelli argues that the screenplay is one of those artefact; as such, its barriers are made up our minds jointly by way of screenwriters, and its ontological nature is set jointly via either writers and readers of screenplays. Any believable philosophical account of the screenplay has to be strictly limited by means of our collective inventive and appreciative practices, and needs to realize that these practices point out that no less than a few screenplays are artworks.
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Additional info for A Philosophy of the Screenplay (Routledge Studies in Contemporary Philosophy)
A Philosophy of the Screenplay (Routledge Studies in Contemporary Philosophy) by Ted Nannicelli